In the Mood for Podcast: Episode 34

EPISODE 34: The Wowface Concept

[1:24:38]

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It's Episode 34 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog. This week we get heavy with reviews of Oscar-nominated political dramas "Lincoln" and "Zero Dark Thirty," as well as getting into the controversy surrounding the latter. (It's at this point that Cal would like to point out that he is a left-wing pacifist, despite how it might sound on the audio.) We tackle the education system with a discussion of "Won't Back Down" before Pete takes on derided comedy "Movie 43" and Cal opts for Arnie in "The Last Stand." We're also analysing the Oscar races after the Screen Actors' Guild Awards, and previewing next week's top ten lists. Listen out for whose performance Pete thinks is "nothing wowface," kinder words than are offered to Jennifer Lawrence.

Discussed on the podcast: 

Opening Segment: Analysing the impact of the Screen Actors' Guild awards on the Oscar races. [2:40 - 18:30]


*Preconception Corner*

Reviews of: 

• "Lincoln" [audio lost at 34:40 but returns at 35:44]
• "Won't Back Down"
• "Movie 43"
• "The Last Stand"

[23:40 - 1:00:05]

Closing Segment: Discussing Kathryn Bigelow's "Zero Dark Thirty" and digging into the controversy surrounding its depiction of torture  [1:00:10 - 1:17:25]

*Shag, Marry or Kill?*
*The Watson Factor*
*The Poupaud Range*

Intro Music: New theme music!
Outro Music: Blondie, "Hanging on the Telephone"

A Marathon's End: Final Oscar Predictions

Once it gets to this stage of awards season, much has already been decided; winners have already been crowned, and although people may tell you otherwise, the chance of an upset in the major categories is relatively tiny. "The Artist" will win Best Picture and Michel Hazanavicius will win Best Director, and don't let anyone tell you otherwise, primarily because there isn't a legitimate opponent beyond pockets of support for "The Help" and also because it encompasses everything the Oscars stand for: traditional, crafted, and celebratory of cinema.

At this stage, Jean Dujardin losing the Best Actor Oscar would be a massive upset, but Meryl Streep triumphing over Viola Davis probably less of one, given that only one black actress has ever won in the category, and the Academy's long-standing affection for biographical performances. What gives Davis the edge is the popularity of "The Help" -- with audiences, guilds, and many critics -- and the sympathies associated with her character. The Supporting categories look sewn up, since Spencer and Plummer have been cleaning up in all of the precursors.

The screenplay categories look less locked, with "The Artist" and "Midnight in Paris" duelling it out on the Original side, and "The Descendants" facing off against the might of Sorkin and Zailian's "Moneyball" in Adapted. The Best Picture winner usually wins for its script, but I imagine that affection for Woody Allen's crowned comeback will see voters tick the box for his film, which won't win in any other category, and that the sole prize for Alexander Payne's glum Hawaiian adventure will happen here, too, despite it being far less complex or bracing than its main competitor.

Other iffy categories include Best Costume Design, which could represent an Oscar win for Madonna's critically-trounced "W.E," if its win with the Costume Designers Guild translates, but could also easily go to "Anonymous," "Jane Eyre," or three-time Oscar winner Sandy Powell for "Hugo." But I think this prize might go to "The Artist," on the coat-tails of its overall popularity, and for its undeniably well-tailored resurrection of Hollywood's golden age. I'm throwing my hands up where the sound categories are concerned, and wondering whether a bone will be thrown to "The Girl with the Dragon Tattoo," which, with five nominations, is surely a popular enough film to want to reward somewhere. The Visual Effects Oscar rarely goes to a Best Picture nominee, but if "The Golden Compass" can beat "Transformers," I think Martin Scorsese's film can also manage it.

I'm going to justify the possibility of heavily-favoured critical darling  "A Separation" losing the Best Foreign Language Film Oscar to Agnieska Holland's "In Darkness," which has strong holocaust themes (often attractive to AMPAS) and a filmmaker behind it with an Academy-endorsed pedigree. I also think that "A Separation" is at a slight disadvantage with regard to America's strained political relationship with the Middle East, despite the film's internal critique of Iran.

That's all that's left to say, except that, wherever you are tomorrow night, and whatever you're drinking, try not to be too disappointed when your favourite loses. It's often best to treat the Academy's better decisions like a toddler using a potty, or a teenager making their bed in the morning. We're primed for disappointment when they turn around and do something stupid at the next available opportunity. Personally, this set of winners (especially in the acting department) would represent a great list of awardees to me, but it won't please everyone. When Emmanuel Lubezki loses Best Cinematography again, take a leaf out of Norman Maine's book. Stand upright, throw back a drink, and let the waves wash over you.

FINAL OSCAR PREDICTIONS

Best Picture: "The Artist" 
(Alt: "The Help")

Best Actress: Viola Davis, "The Help"
(Alt: Meryl Streep, "The Iron Lady")

Best Actor: Jean Dujardin, "The Artist"
(Alt: George Clooney, "The Descendants")

Supporting Actress: Octavia Spencer, "The Help"
(Alt: Berenice Bejo, "The Artist")

Supporting Actor: Christopher Plummer, "Beginners"
(Alt: Max von Sydow, "Extremely Loud & Incredibly Close")

Best Director: Michel Hazanavicus, "The Artist"
(Alt: Martin Scorsese, "Hugo")

Best Original Screenplay: Woody Allen, "Midnight in Paris"
(Alt: Michel Hazanivicius, "The Artist")

Best Adapted Screenplay: Alexander Payne, Nat Faxon and Jim Rash, "The Descendants"
(Alt: Steven Zaillian, Aaron Sorkin and Stan Chervin, "Moneyball")

Best Foreign Feature: "In Darkness" (Poland)
(Alt: "A Separation" (Iran))

Best Animated Feature: "Rango"
(Alt: "Chico & Rita")

Art Direction: "Hugo"
(Alt: "Harry Potter and the Deathly Hallows Part 2")

Cinematography: "The Tree of Life"
(Alt: "Hugo")

Costume Design: "The Artist"
(Alt: "W.E.")

Documentary Feature: "Hell and Back Again"
(Alt: "Undefeated")

Documentary Short Subject: "Saving Face"
(Alt: "The Tsunami and the Cherry Blossom")

Film Editing: "The Artist"
(Alt: "The Descendants")

Makeup: "The Iron Lady"

Original Score: "The Artist"
(Alt: "War Horse")

Original Song: 'Man or Muppet' from "The Muppets"

Sound Editing: "The Girl with the Dragon Tattoo"
(Alt: "Hugo")

Sound Mixing: "Hugo"
(Alt: "The Girl with the Dragon Tattoo")

Visual Effects: "Hugo"
(Alt: "Rise of the Planet of the Apes")

Short Film (Animated): "The Fantastic Flying Books of Mr. Morris Lessmore"
(Alt: "A Morning Stroll")

Short Film (Live Action): "Tuba Atlantic"
(Alt: "The Shore")

Golden Globe (Motion Picture) Winners

Best Picture (Drama): "The Descendants"

Best Picture (Comedy/Musical): "The Artist"

Best Director: Martin Scorsese, "Hugo"

Best Actor (Drama): George Clooney, "The Descendants"

Best Actor (Comedy/Musical): Jean Dujardin, "The Artist"

Best Actress (Drama): Meryl Streep, "The Iron Lady"

Best Actress (Comedy/Musical): Michelle Williams, "My Week With Marilyn"

Best Supporting Actor: Christopher Plummer, "Beginners"

Best Supporting Actress: Octavia Spencer, "The Help"

Best Screenplay: "Midnight in Paris"

Best Original Score: "The Artist"

Best Original Song: "W.E."

Best Foreign Language Film: "A Separation"

Best Animated Feature: "The Adventures of Tintin"