Showing posts with label Jennifer Lawrence. Show all posts
Showing posts with label Jennifer Lawrence. Show all posts
Tuesday, February 26, 2013
In the Mood for Podcast: Episode 38
Episode 38 features reaction to Sunday's Oscar wins, and reviews of "Mama" "Cloud Atlas," "Lore," "Song for Marion" and "I Wish." We also talk about Andrei Tarkovsky and our favourite collaborative director projects.
Sunday, February 24, 2013
Final Oscar Predictions 3/3 [The Big Six]
Best Picture:
“Amour”
“Argo”
“Beasts of the Southern Wild”
“Django Unchained”
“Les Miserables”
“Life of Pi”
“Lincoln”
“Silver Linings Playbook”
“Zero Dark Thirty”
Prediction: “Argo”
My preference: “Beasts of the Southern Wild”
When a film wins support from the producers’, directors’, actors’, and writers’ guilds you can pretty much call it over. Affleck’s director snub has definitely helped the film, but probably only to solidify its appeal as a mainstream crowd-pleaser, unlikely to be looked upon fondly in years to come, but nevertheless easy to anoint as a winner of the 2012 crop.
Best Director:
Michael Haneke, “Amour”
Ang Lee, “Life of Pi”
David O. Russell, “Silver Linings Playbook”
Steven Spielberg, “Lincoln”
Benh Zeitlin, “Beasts of the Southern Wild”
Prediction: Michael Haneke, “Amour”
My preference: Benh Zeitlin, “Beasts of the Southern Wild”
It’s probably foolhardy to choose Haneke over Spielberg, Lee, or Russell, who seem to have stronger films. The lack of a particular frontrunner helps the Austrian, who you can imagine people who don’t even love “Amour” might still vote for, as a ‘cool’ alternative pick, and as he’s the most auteurial of the five men. That’s how I see it, anyway.
Best Actress in a Leading Role:
Jessica Chastain, “Zero Dark Thirty”
Jennifer Lawrence, “Silver Linings Playbook”
Emmanuelle Riva, “Amour”
Quvenzhane Wallis, “Beasts of the Southern Wild”
Naomi Watts, “The Impossible”
Prediction: Jennifer Lawrence, “Silver Linings Playbook”
My preference: Emmanuelle Riva, “Amour”
Wishful thinking makes me want to predict Riva, who I suspect is close but will likely lose out to the familiar ‘star is born’ narrative surrounding Jennifer Lawrence. If Lawrence does win it’ll be a shame, since she can and will do so much better in the future, with a character she has a stronger handle on than Tiffany in “Silver Linings Playbook.”
Best Actor in a Leading Role:
Bradley Cooper, “Silver Linings Playbook”
Daniel Day-Lewis, “Lincoln”
Hugh Jackman, “Les Miserables”
Joaquin Phoenix, “The Master”
Denzel Washington, “Flight”
Prediction: Daniel Day-Lewis, “Lincoln”
My preference, Joaquin Phoenix, “The Master
Best Actress in a Supporting Role:
Amy Adams, “The Master”
Sally Field, “Lincoln”
Anne Hathaway, “Les Miserables”
Helen Hunt, “The Sessions”
Jacki Weaver, “Silver Linings Playbook”
Prediction: Anne Hathaway, “Les Miserables”
My preference: Helen Hunt, “The Sessions”
Best Actor in a Supporting Role:
Alan Arkin, “Argo”
Robert De Niro, “Silver Linings Playbook”
Philip Seymour Hoffman, “The Master”
Tommy Lee Jones, “Lincoln”
Christoph Waltz, “Django Unchained”
Prediction: Christoph Waltz, “Django Unchained”
My preference: Tommy Lee Jones, “Lincoln”
I feel as if “Lincoln” has very little momentum, and Christoph Waltz has the best role of the five men here. A leading one, but since when have the Academy cared about category fraud? There is an outside chance that they’ll give Robert De Niro the Oscar, as a reward for finally doing something worthwhile, but the amount of lame comedic films he’s been in recently leads me to believe that when he does win a third Oscar it’ll be for a dramatic performance.
Tuesday, January 29, 2013
In the Mood for Podcast: Episode 34
[1:24:38]
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It's Episode 34 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog. This week we get heavy with reviews of Oscar-nominated political dramas "Lincoln" and "Zero Dark Thirty," as well as getting into the controversy surrounding the latter. (It's at this point that Cal would like to point out that he is a left-wing pacifist, despite how it might sound on the audio.) We tackle the education system with a discussion of "Won't Back Down" before Pete takes on derided comedy "Movie 43" and Cal opts for Arnie in "The Last Stand." We're also analysing the Oscar races after the Screen Actors' Guild Awards, and previewing next week's top ten lists. Listen out for whose performance Pete thinks is "nothing wowface," kinder words than are offered to Jennifer Lawrence.
Discussed on the podcast:
Opening Segment: Analysing the impact of the Screen Actors' Guild awards on the Oscar races. [2:40 - 18:30]
*Preconception Corner*
Reviews of:
- "Lincoln" [audio lost at 34:40 but returns at 35:44]
- "Won't Back Down"
- "Movie 43"
- "The Last Stand"
Closing Segment: Discussing Kathryn Bigelow's "Zero Dark Thirty" and digging into the controversy surrounding its depiction of torture [1:00:10 - 1:17:25]
*Shag, Marry or Kill?*
*The Watson Factor*
*The Poupaud Range*
Intro Music: New theme music!
Outro Music: Blondie, "Hanging on the Telephone"
Wednesday, January 16, 2013
In the Mood for Podcast: Episode 32
EPISODE 32: Baying For Blood
[1:21:59]
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It's Episode 32 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog. This week we react to the shock omissions in the recent Oscar nominations, and the dynamic of the race after Sunday's Golden Globes. We tackle two aggressive new releases in period mob flick "Gangster Squad" and vampire drama "Midnight Son," while Cal goes it alone for the decidedly cosier "Safety Not Guaranteed." And then we get to the main event, as Tom Hooper's musical "Les Miserables"gets the 'mood for' grilling, after instigating a mammoth preconception corner. There's also the results of last week's prediction contest, which will decide which one of us must serve a forfeit!
Discussed on the podcast:
Opening Segment: Reacting to the week's awards news: Oscar nominations and Golden Globe winners [2:20 - 21:45]
*Preconception Corner*
Reviews of:
- "Gangster Squad"
- "Midnight Son"
- "Safety Not Guaranteed"
[26:50 - 49:50]
Closing Segment: Our take on Tom Hooper's awards hope "Les Miserables," and our favourite musicals of all-time [49:55 - 1:11:50]
*Shag, Marry or Kill?*
*The Watson Factor*
*The Poupaud Range*
Ends with bonus forfeit from last week's competition: Who has to watch what?
Intro Music: New theme music!
Outro Music: Lulu James, "Stuck"
Closing Segment: Our take on Tom Hooper's awards hope "Les Miserables," and our favourite musicals of all-time [49:55 - 1:11:50]
*Shag, Marry or Kill?*
*The Watson Factor*
*The Poupaud Range*
Ends with bonus forfeit from last week's competition: Who has to watch what?
Intro Music: New theme music!
Outro Music: Lulu James, "Stuck"
Wednesday, November 28, 2012
In the Mood for Podcast: Episode 26
[1:22:20]
You can Listen online or
(Right click... save as)
It's Episode 26 of In the Mood for Podcast, a British-based film podcast hosted by Calum Reed of Ultimate Addict and Pete Sheppard of In the Mood for Blog. This week we're warming up for awards with discussions of Oscar lineups from 1942, 1952, 1962, and 2003, as well as forecasting this year's nominees. The big release is David O'Russell's "Silver Linings Playbook," of which the focus is firmly on Jennifer Lawrence, while buddy-cop drama "End of Watch" has the job of setting this week's pulses racing. The girls of hotline comedy "For a Good Time, Call.." get our inner-chick mode going, before Colin Firth and Cameron Diaz strip for "Gambit." A late squabble about Indian cinema sets Jake and Michael's bar-setting bromance down some notches, but this was a fun one...
Discussed on the podcast:
Opening Segment: The contentious results of the Leeds Film Festival's audience votes, and championing films and performances that won’t make our year-end lists [2:05 - 14:00]
*Preconception Corner*
Reviews of:
- "End of Watch"
- "For a Good Time, Call..."
- "Gambit"
- "Lawrence of Arabia" (50th anniversary re-release)
Closing Segment: David O'Russell's "Silver Linings Playbook": considering the awards chances of its cast, offering examples of actors Oscar-nominated for the wrong films, and predicting next week's New York Film Critics Circle prizes. [58:00 - 1:17:10]
*Shag, Marry or Kill?*
*The Watson Factor*
*The Poupaud Range*
Intro Music: New theme music!
Outro Music: Ellie Goulding, "Anything Can Happen"
Tuesday, December 14, 2010
Golden Globe Nominations, 2010, Plus Reaction
Earlier today, the Hollywood Foreign Press Association announced that Tom Hooper's "The King's Speech" leads the Golden Globe nominations for 2010. Here is the full list of Motion Picture nominees:-
Black Swan
The Fighter
Inception
The King’s Speech
The Social Network
Best Director - Motion Picture
Darren Aronofsky, Black Swan
David Fincher, The Social Network
Tom Hooper, The King's Speech
Christopher Nolan, Inception
David O. Russell, The Fighter
This a little blow for 127 Hours, but it still appears as if it will make Oscar's ten and probably not win any of its nominations. Certainly a boost for The Fighter in any case, although the HFPA have a history of loving films that didn't float Oscar's boat (A History of Violence, Match Point, Revolutionary Road.)
Best Motion Picture, Comedy or Musical
Alice in Wonderland
Burlesque
The Kids Are All Right
Red
The Tourist
Best Actor in a Motion Picture, Comedy
Johnny Depp, Alice in Wonderland
Johnny Depp, The Tourist
Paul Giamatti, Barney's Version
Jake Gyllenhaal, Love and Other Drugs
Kevin Spacey, Casino Jack
The less said about these categories, the better.
Best Actor in a Motion Picture, Drama
Jesse Eisenberg, The Social Network
Colin Firth, The King's Speech
James Franco, 127 Hours
Ryan Gosling, Blue Valentine
Mark Wahlberg, The Fighter
This list packs a punch, but it's very young and starlet-oriented, regardless of the quality of the performances. Lest we forget when SAG nominated Gosling and Emile Hirsch in 2007, only for Oscar to turn around and snub them for veterans Johnny Depp and Tommy Lee Jones. Firth and Franco are safe, but of the others I'd expect at least one to be turfed out for Jeff Bridges or Robert Duvall. At least one.
Best Actress in a Motion Picture, Drama
Halle Berry, Frankie and Alice
Nicole Kidman, Rabbit Hole
Jennifer Lawrence, Winter's Bone
Natalie Portman, Black Swan
Michelle Williams, Blue Valentine
A big boost to Halle Berry, whose film comes out soon and who could benefit from good timing if the reaction to her performance is positive enough. Williams and Blue Valentine also needed this, though I'm still not convinced she can mount a big enough challenge. Lesley Manville will have to wait for SAG, but the ground is shaky.Best Actress in a Motion Picture, Comedy
Annette Bening, The Kids Are All Right
Anne Hathaway, Love and Other Drugs
Angelina Jolie, The Tourist
Julianne Moore, The Kids Are All Right
Emma Stone, Easy A
All I have to say is that Emma Stone deserves to win.
Best Supporting Actor in a Motion Picture
Christian Bale, The Fighter
Michael Douglas, Wall Street: Money Never Sleeps
Andrew Garfield, The Social Network
Jeremy Renner, The Town
Geoffrey Rush, The King's Speech
I hope that Douglas doesn't carry a sentimental vote through the whole of Awards Season. Justin Timberlake's campaign looks all but dead in the water.
Best Supporting Actress in a Motion Picture
Amy Adams, The Fighter
Helena Bonham Carter, The King's Speech
Mila Kunis, Black Swan
Melissa Leo, The Fighter
Jacki Weaver, Animal Kingdom
Weaver, Carter, Leo, and Adams all look strong, but I'd expect Kunis not to make much of a splash beyond here. Will Amy Adams go in as favourite since she's become renowned as an excellent Supporting Actress, and she's the nicest person on the planet?
Best Screenplay - Motion Picture
127 Hours
The Kids Are All Right
The King's Speech
The Social Network
Inception
Best Original Song
“You Haven’t Seen The Last of Me,” Burlesque
“Bound to you,” Burlesque
“Coming Home”, Country Strong
“I See The Light,” by Alan Menken, Tangled
“There’s a Place For Us,” Voyage of the Dawn Treader
Best Original Score
Alexandre Desplat, The King's Speech
Danny Elfman, Alice in Wonderland
A.R. Rahmin, 127 Hours
Trent Reznor, Atticus Ross, The Social Network
Hans Zimmer, Inception
Best Animated Feature Film
Despicable Me
How to Train Your Dragon
The Illusionist
Toy Story 3
Tangled
Best Foreign Language Film
Biutiful (Spain/Mexico)
The Concert (France)
The Edge (Russia)
I Am Love (Italy)
In a Better World (Denmark)
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